Preview Issue
Previous Issues
- 2018: 12.4
- 2018: 12.3
- 2018: 12.2
- 2018: 12.1
- 2017: 11.4
- 2017: 11.3
- 2017: 11.2
- 2017: 11.1
- 2016: 10.4
- 2016: 10.3
- 2016: 10.2
- 2016: 10.1
- 2015: 9.4
- 2015: 9.3
- 2015: 9.2
- 2015: 9.1
- 2014: 8.4
- 2014: 8.3
- 2014: 8.2
- 2014: 8.1
- 2013: 7.3
- 2013: 7.2
- 2013: 7.1
- 2012: 6.3
- 2012: 6.2
- 2012: 6.1
- 2011: 5.3
- 2011: 5.2
- 2011: 5.1
- 2010: 4.2
- 2010: 4.1
- 2009: 3.4
- 2009: 3.3
- 2009: 3.2
- 2009: 3.1
- 2008: 2.1
- 2007: 1.2
- 2007: 1.1
Announcements
Author Index
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
A
[fr]Entre musique et lettres : vers une méthodologie
numérique pour l’analyse de la mise en musique des poésies de Charles
Baudelaire
[en]Between words and music: towards a digital
methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]
e-Science for Medievalists: Options, Challenges, Solutions and Opportunities, 2009: v3 n4, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]
Continuous Integration and Unit Testing of Digital Editions, 2017: v11 n4, [co-authored]
The Leipzig Open Fragmentary Texts Series (LOFTS), 2016: v10 n2, [co-authored]
Machine Reading the Primeros Libros, 2016: v10 n4
[fr]Pour une analyse automatique du jugement critique :
les citations modalisées dans le discours littéraire du XIXe siècle
[en]Toward an automatic analysis of critical judgment:
modified quotes in the literary discourse of the nineteenth century, 2018: v12 n1, [co-authored]
Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
Aporias of the Digital Avant-Garde, 2007: v1 n2
Open Access and the Theological Imagination, 2017: v11 n4, [co-authored]
Researcher as Bricoleur: Contextualizing humanists’ digital workflows, 2018: v12 n3, [co-authored]
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
Enlisting Vertues Noble & Excelent: Behavior, Credit, and Knowledge Organization in the Social Edition, 2015: v9 n2, [co-authored]
[fr]Entre musique et lettres : vers une méthodologie
numérique pour l’analyse de la mise en musique des poésies de Charles
Baudelaire
[en]Between words and music: towards a digital
methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]
Words, Patterns and Documents: Experiments in Machine Learning and Text Analysis, 2009: v3 n2, [co-authored]
Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]
Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Metaphors in Digital Hermeneutics: Zooming through Literary, Didactic and Historical Representations of Imaginary and Existing Cities, 2017: v11 n3, [co-authored]
It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]
Building Pedagogy into Project Development: Making Data Construction Visible in Digital Projects, 2019: v13 n2, [co-authored]
Uncovering Latent Metadata in the FSA-OWI Photographic Archive, 2017: v11 n2, [co-authored]
Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]
Experiential Analogies: A Sonic Digital Ekphrasis as a Digital Humanities Project, 2016: v10 n2, [co-authored]
Affective Absence: Risks in the Institutionalization of the FemTechNet Archive, 2019: v13 n2
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]
B
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
#transform(ing)DH Writing and Research: An Autoethnography of Digital Humanities and Feminist Ethics , 2015: v9 n2
[fr]Reconstruire ce qui manque – ou le déconstruire ?
Approches numériques des sources historiques
[en]Rebuilding what is missing – or deconstructing it?
Digital approaches to historical sources, 2018: v12 n1
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
The Idiocy of the Digital Literary (and what does it have to do with digital humanities)?, 2013: v7 n1
Computational Linguistics and Classical Lexicography, 2009: v3 n1, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
Sound and Digital Humanities: reflecting on a DHSI course, 2016: v10 n1
Machine Enhanced (Re)minding: the Development of Storyspace, 2012: v6 n2
The Technical Evolution of Vannevar Bush’s Memex , 2008: v2 n1
Distributed reading: Literary reading in diverse environments, 2018: v12 n2
Old Ways for Linking Texts in the Digital Reading Environment: The Case of the Thompson Chain Reference Bible, 2012: v6 n2, [co-authored]
Theorizing Connectivity: Modernism and the Network Narrative, 2011: v5 n2, [co-authored]
Network Narration in John Dos Passos’s U.S.A. Trilogy, 2011: v5 n2
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
The Sound of Many Hands Clapping: Teaching the Digital Humanities through Virtual Research Environment (VREs), 2012: v6 n2
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
Digital Oulipo: Programming Potential Literature, 2017: v11 n3
Digital Methods and Classical Studies, 2016: v10 n2, [co-authored]
Comparative rates of text reuse in classical Latin hexameter poetry, 2015: v9 n3, [co-authored]
[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]
The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]
The Leipzig Open Fragmentary Texts Series (LOFTS), 2016: v10 n2, [co-authored]
All and Each: A Socio-Technical Review of the Europeana Project, 2017: v11 n3, [co-authored]
Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]
Creative Data Literacy: A Constructionist Approach to Teaching Information Visualization , 2018: v12 n4, [co-authored]
An Ontology for Gendered Content Representation of Cultural Heritage Artefacts, 2017: v11 n3, [co-authored]
Velvet Evolution: A Review of Lev Manovich's Software Takes Command (Bloomsbury Academic, 2013), 2019: v13 n1
TypeWright: An Experiment in Participatory Curation, 2015: v9 n4
Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]
Reinventing the Classroom Edition: Paradise Lost Book IX Flash Audiotext, 2009: v3 n3
A Textual History of Mozilla: Using Topic Modeling to Trace Sociocultural Influences on Software Development, 2015: v9 n3
Technology, Collaboration, and Undergraduate Research, 2009: v3 n1, [co-authored]
Conclusion: Cyberinfrastructure, the Scaife Digital Library and Classics in a Digital age, 2009: v3 n1, [co-authored]
It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]
A Culture of non-citation: Assessing the digital impact of British History Online and the Early English Books Online Text Creation Partnership, 2017: v11 n1, [co-authored]
Predicting the Past, 2018: v12 n2
Digital Humanities Quarterly Special Cluster on Arts and Humanities e-Science, 2009: v3 n4, [co-authored]
A Life Lived in Media, 2012: v6 n1, [co-authored]
Jane, John … Leslie? A Historical Method for Algorithmic Gender Prediction, 2015: v9 n3, [co-authored]
[fr]Les Sganarelle de Molière : un nom, des
syntaxes ?
[en]Molière's Sganarelles: one name, several
syntaxes?, 2018: v12 n1, [co-authored]
Ghosts in the Machine: a motion-capture experiment in distributed reception, 2018: v12 n3, [co-authored]
Epigraphy in 2017, 2009: v3 n1, [co-authored]
Designing Choreographies for the New Economy of Attention , 2009: v3 n2, [co-authored]
Digital Literature and the Modernist Problem, 2011: v5 n3, [co-authored]
Stretched Skulls: Anamorphic Games and the memento mortem mortis , 2012: v6 n2, [co-authored]
TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]
The Digital Future is Now: A Call to Action for the Humanities, 2009: v3 n4
The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels, 2017: v11 n2, [co-authored]
Information access in the art history domain: Evaluating a federated search engine for Rembrandt research , 2016: v10 n4, [co-authored]
Making and Breaking: Teaching Information Ethics through Curatorial Practice, 2018: v12 n4
Reviving Classical Drama: virtual reality and experiential learning in a traditional classroom, 2018: v12 n3
Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]
Fitting Personal Interpretation with the Semantic Web: lessons learned from Pliny, 2017: v11 n1, [co-authored]
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
[en]Potentialities and difficulties of a digital
humanities (DH) project: confrontation with tools and reorientations of
research, 2018: v12 n1, [co-authored]
Critically engaging with data visualization through an information literacy framework, 2018: v12 n4
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
The New Itinerancy: Digital Pedagogy and the Adjunct Instructor in the Modern Academy, 2017: v11 n3
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]
Digital Humanities in the 21st Century: Digital Material as a Driving Force , 2016: v10 n2
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
Accessioning the Digital Humanities: Report from the 1st Archival Education and Research Institute, 2010: v4 n1
To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n2, [co-authored]
Developing a Qualitative Coding Analysis of Visual Artwork for Humanities Research, 2016: v10 n4
War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]
Comparing Disciplinary Patterns: Exploring the Humanities through the Lens of Scholarly Communication, 2017: v11 n2
New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia, 2011: v5 n3, [co-authored]
Recovering the London Stage Information Bank: Lessons from an Early Humanities Computing Project, 2017: v11 n3
Missed Connections: The Collective Novel and the Metropolis, 2011: v5 n2
C
[es]La conquista de Jerusalén ¿de Cervantes?
Análisis estilométrico sobre autoría en el teatro del Siglo de Oro
español
[en]The Conquest of Jerusalem: by Cervantes?
Styometric analysis on authorship in the Golden Age Spanish theater, 2018: v12 n1, [co-authored]
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]
A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]
Introduction, 2011: v5 n3, [co-authored]
Introduction, 2011: v5 n3, [co-authored]
Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]
Building A Volunteer Community: Results and Findings from Transcribe Bentham , 2012: v6 n2, [co-authored]
Epigraphy in 2017, 2009: v3 n1, [co-authored]
Writing to be Found and Writing Readers, 2011: v5 n3
[es]La conquista de Jerusalén ¿de Cervantes?
Análisis estilométrico sobre autoría en el teatro del Siglo de Oro
español
[en]The Conquest of Jerusalem: by Cervantes?
Styometric analysis on authorship in the Golden Age Spanish theater, 2018: v12 n1, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]
Interdisciplinary Collaboration and Brokerage in the Digital Humanities, 2017: v11 n3, [co-authored]
Introduction to the DHQ Special Issue: Digital Technology in the Study of the Past, 2018: v12 n2, [co-authored]
Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]
In One's Own Hand: Seeing Manuscripts in a Digital Age, 2012: v6 n2
Interdisciplinary Collaboration and Brokerage in the Digital Humanities, 2017: v11 n3, [co-authored]
The In/Visible, In/Audible Labor of Digitizing the Public Domain, 2019: v13 n2
Starting From Scratch? Workshopping New Directions in Undergraduate Digital Humanities, 2017: v11 n3, [co-authored]
Building a Toolkit for Digital Pedagogy, 2017: v11 n3
Racism in the Machine: Visualization Ethics in Digital Humanities Projects, 2018: v12 n4, [co-authored]
The Materialities of Close Reading: 1942, 1959, 2009, 2012: v6 n1
Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]
Circling around texts and language: towards pragmatic modelling in Digital Humanities, 2016: v10 n3, [co-authored]
The New Edition of the Letters of Vincent van Gogh on the Web, 2010: v4 n2
Reading Today, 2014: v8 n4
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
Towards a Rationale of Audio-Text, 2016: v10 n2
An Information Science Question in DH Feminism, 2015: v9 n2
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]
[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]
Covers and Corpus wanted! Some Digital Humanities Fragments , 2016: v10 n3
Continuous Integration and Unit Testing of Digital Editions, 2017: v11 n4, [co-authored]
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
[en]Potentialities and difficulties of a digital
humanities (DH) project: confrontation with tools and reorientations of
research, 2018: v12 n1, [co-authored]
Digital Methods and Classical Studies, 2016: v10 n2, [co-authored]
Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]
Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]
The Leipzig Open Fragmentary Texts Series (LOFTS), 2016: v10 n2, [co-authored]
Acknowledgements and Dedications, 2009: v3 n1, [co-authored]
Cyberinfrastructure for Classical Philology, 2009: v3 n1, [co-authored]
Computational Linguistics and Classical Lexicography, 2009: v3 n1, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Conclusion: Cyberinfrastructure, the Scaife Digital Library and Classics in a Digital age, 2009: v3 n1, [co-authored]
Enlisting Vertues Noble & Excelent: Behavior, Credit, and Knowledge Organization in the Social Edition, 2015: v9 n2, [co-authored]
Digital library search preferences amongst historians and genealogists: British History Online user survey, 2016: v10 n4
Does your historical collection need a database-driven website?, 2015: v9 n1
FairCite, 2013: v7 n2, [co-authored]
The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
D
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
[en]Potentialities and difficulties of a digital
humanities (DH) project: confrontation with tools and reorientations of
research, 2018: v12 n1, [co-authored]
BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]
Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]
The Shock of the Familiar: Three Timelines about Gender and Technology in the Library, 2015: v9 n2
Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
[fr]Analyser les emboîtements d’échelles
spatio-temporelles d’un territoire forestier : du système d’information géographique
à la méthode SyMoGIH (Avesnois, France)
[en]Analyzing the interlocking spatio-temporal scales of
a forest: from geographic information systems to the SyMoGIH method (Avesnois,
France), 2018: v12 n1
Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]
To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n2, [co-authored]
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
[en]Potentialities and difficulties of a digital
humanities (DH) project: confrontation with tools and reorientations of
research, 2018: v12 n1, [co-authored]
A Life Lived in Media, 2012: v6 n1, [co-authored]
Semantic Enrichment of a Multilingual Archive with Linked Open Data, 2017: v11 n4, [co-authored]
Crafting in Games, 2017: v11 n4, [co-authored]
Creative Data Literacy: A Constructionist Approach to Teaching Information Visualization , 2018: v12 n4, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]
Do You Want to Save Your Progress?: The Role of Professional and Player Communities in Preserving Virtual Worlds, 2012: v6 n2, [co-authored]
GIS and Literary History: Advancing Digital Humanities research through the Spatial Analysis of historical travel writing and topographical literature, 2017: v11 n1, [co-authored]
Escaping the Shallows: Deep Reading’s Revival in the Digital Age, 2014: v8 n2
Past Visions and Reconciling Views: Visualizing Time, Texture and Themes in Cultural Collections, 2017: v11 n2, [co-authored]
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
The Why and How of Middleware, 2016: v10 n2, [co-authored]
Performative Materiality and Theoretical Approaches to Interface, 2013: v7 n1
Humanities Approaches to Graphical Display, 2011: v5 n1
Philosophy and Digital Humanities: A review of Willard McCarty, Humanities Computing (London and NY: Palgrave, 2005), 2007: v1 n1
[fr]Entre musique et lettres : vers une méthodologie
numérique pour l’analyse de la mise en musique des poésies de Charles
Baudelaire
[en]Between words and music: towards a digital
methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]
Digital Criticism: Editorial Standards for the Homer Multitext , 2009: v3 n1, [co-authored]
Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]
Textual Reuse in the Eighteenth Century: Mining Eliza Haywood’s Quotations, 2016: v10 n1
The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]
Explaining Events to Computers: Critical Quantification, Multiplicity and Narratives in Cultural Heritage, 2016: v10 n3, [co-authored]
Digital Humanities Quarterly Special Cluster on Arts and Humanities e-Science, 2009: v3 n4, [co-authored]
Tracking the telepathic sublime as a phenomenon in a digital humanities archive, 2017: v11 n4, [co-authored]
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
E
Introduction, 2009: v3 n3, [co-authored]
Mapping Concord: Google Maps and the 19th-Century Concord Digital Archive, 2009: v3 n3
Picture Problems: X-Editing Images 1992-2010, 2009: v3 n3
Digital Criticism: Editorial Standards for the Homer Multitext , 2009: v3 n1, [co-authored]
The Almanac Archive: Theorizing Marginalia and Duplicate Copies in the Digital Realm, 2016: v10 n1, [co-authored]
How Scholars Read Now: When the Signal Is the Noise, 2018: v12 n1
An Enlightenment Utopia: The Network of Sociability in Corinne, 2017: v11 n2
Epigraphy in 2017, 2009: v3 n1, [co-authored]
Digital Geography and Classics, 2009: v3 n1, [co-authored]
Digital Literature and the Modernist Problem, 2011: v5 n3, [co-authored]
Friedrich Kittler's Digital Legacy – PART I - Challenges, Insights and Problem-Solving Approaches in the Editing of Complex Digital Data Collections, 2017: v11 n2, [co-authored]
Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]
Textual Artifacts and their Digital Representations: Teaching Graduate Students to Build Online Archives, 2015: v9 n1, [co-authored]
Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]
Collaborative Knowledge Creation and Student-Led Assignment Design: Wikipedia in the University Literature Class, 2017: v11 n3
The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]
All Hope Abandon: Biblical Text and Interactive Fiction, 2007: v1 n2
Web 2.0 and the Ontology of the Digital, 2012: v6 n2
F
Obama’s Sixth Annual Address: Image, Affordance, Flow, 2016: v10 n4
Word Processor Art: How User-friendly Inhibits Creativity, 2016: v10 n1
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
Digital Surrealism: Visualizing Walt Disney Animation Studios, 2017: v11 n1
Studying Up: A Review of Alice Marwick’s Status Update, 2015: v9 n2
Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]
Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]
What Your Teacher Told You is True: Latin Verbs Have Four Principal Parts , 2009: v3 n1, [co-authored]
Revenge of the Nerd: Junot Díaz and the Networks of American Literary Imagination, 2013: v7 n1
Digital Encoding as a Hermeneutic and Semiotic Act: The Case of Valerio Magrelli, 2010: v4 n1, [co-authored]
By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]
FairCite, 2013: v7 n2, [co-authored]
The Productive Unease of 21st-century Digital Scholarship, 2009: v3 n3
Welcome to Digital Humanities Quarterly, 2007: v1 n1, [co-authored]
All Relate to Art: The William Blake Archive and Its Web of Relations, 2018: v12 n1, [co-authored]
A short Introduction to the Hidden Histories project and interviews , 2012: v6 n3, [co-authored]
Introduction to the DHQ Special Issue: Digital Technology in the Study of the Past, 2018: v12 n2, [co-authored]
Ghosts in the Machine: a motion-capture experiment in distributed reception, 2018: v12 n3, [co-authored]
Experiential Analogies: A Sonic Digital Ekphrasis as a Digital Humanities Project, 2016: v10 n2, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]
The Writeprints of Man: a Stylometric Study of Lafayette's Hand in Paine's 'Rights of Man', 2018: v12 n1, [co-authored]
All Relate to Art: The William Blake Archive and Its Web of Relations, 2018: v12 n1, [co-authored]
Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]
The End of Literature: Machine Reading and Amitav Ghosh’s The Calcutta Chromosome , 2013: v7 n1
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
[fr]Les Sganarelle de Molière : un nom, des
syntaxes ?
[en]Molière's Sganarelles: one name, several
syntaxes?, 2018: v12 n1, [co-authored]
Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels, 2017: v11 n2, [co-authored]
Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism, 2017: v11 n1, [co-authored]
Playing with Identities: Queering Digital Narratology and the Exploration of Gender and Sexual Identities, 2017: v11 n3
Cervantes Project: The Digital Quixote Iconography Collection, 2009: v3 n3, [co-authored]
Reading, Making, and Metacognition: Teaching Digital Humanities for Transfer, 2018: v12 n2
Digital Pedagogy Unplugged, 2011: v5 n3
G
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Winesburg, Ohio: A Modernist Kluge, 2011: v5 n2
Traveling the Silk Road on a Virtual Globe: Pedagogy, Technology and Evaluation for Spatial History, 2013: v7 n2, [co-authored]
Creating a regional DH community – A Case Study of the RedHD, 2015: v9 n3
Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]
[fr]Que mille lectures s’épanouissent… Modélisation du
personnage et expérience de crowdreading
[en]Let a thousand readings flourish . . . A
crowdreading experience, 2018: v12 n1, [co-authored]
Introduction to the Digital Humanities Summer Institute Colloquium Special Issue, 2016: v10 n1, [co-authored]
The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]
Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels, 2017: v11 n2, [co-authored]
A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]
From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]
Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]
Using structured text corpora in Parliamentary Metadata Language for the analysis of legislative proceedings, 2018: v12 n2
[es]Cartografías de la sociedad
red
[en]Cartographies of the Network
Society, 2018: v12 n1
Agent-Based Modeling and Historical Simulation, 2014: v8 n4
Comparative rates of text reuse in classical Latin hexameter poetry, 2015: v9 n3, [co-authored]
Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]
Building Better Digital Humanities Tools: Toward broader audiences and user-centered designs, 2012: v6 n2, [co-authored]
Mining Public Discourse for Emerging Dutch Nationalism, 2016: v10 n3, [co-authored]
The Radical Historicity of Everything: Exploring Shakespearean Identity with Web 2.0, 2009: v3 n3, [co-authored]
Digital Geography and Classics, 2009: v3 n1, [co-authored]
Past Visions and Reconciling Views: Visualizing Time, Texture and Themes in Cultural Collections, 2017: v11 n2, [co-authored]
Nodalism, 2011: v5 n3
Service-Oriented Software in the Humanities: A Software Engineering Perspective, 2009: v3 n4
[es]Introducción de los
editores
[en]Editors'
Introduction, 2018: v12 n1, [co-authored]
Designing Choreographies for the New Economy of Attention , 2009: v3 n2, [co-authored]
Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]
Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]
The Printing Press as Metaphor, 2016: v10 n3
The Almanac Archive: Theorizing Marginalia and Duplicate Copies in the Digital Realm, 2016: v10 n1, [co-authored]
The New Place of Reading: Locative Media and the Future of Narrative, 2011: v5 n3
GIS and Literary History: Advancing Digital Humanities research through the Spatial Analysis of historical travel writing and topographical literature, 2017: v11 n1, [co-authored]
Collaboration in Digital Humanities Research – Persisting Silences, 2018: v12 n1, [co-authored]
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
Curating Electronic Literature as Critical and Scholarly Practice, 2014: v8 n4
Crafting in Games, 2017: v11 n4, [co-authored]
Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
H
New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia, 2011: v5 n3, [co-authored]
Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]
Determining Value for Digital Humanities Tools: Report on a Survey of Tool Developers , 2010: v4 n2, [co-authored]
The Underside of the Digital Field, 2012: v6 n2
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
Adobe Photoshop and Eighteenth-Century Manuscripts: A New Approach to Digital Paleography, 2014: v8 n4
Modelling Medieval Hands: Practical OCR for Caroline Minuscule, 2019: v13 n1, [co-authored]
Computational Models for Analyzing Data Collected from Reconstructed Cuneiform Syllabaries, 2018: v12 n1
Collaboration in Digital Humanities Research – Persisting Silences, 2018: v12 n1, [co-authored]
Grid-enabling Humanities Datasets, 2009: v3 n4
Multiple and Converging Literacies: A Review of Learning the Virtual Life, edited by Peter Trifonas., 2014: v8 n3
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]
Is this Article a Comic?, 2015: v9 n4
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
Semantic Enrichment of a Multilingual Archive with Linked Open Data, 2017: v11 n4, [co-authored]
Racism in the Machine: Visualization Ethics in Digital Humanities Projects, 2018: v12 n4, [co-authored]
In a test bed with Kafka. Introducing a mixed-method approach to digital stylistics, 2017: v11 n4
Metaphors in Digital Hermeneutics: Zooming through Literary, Didactic and Historical Representations of Imaginary and Existing Cities, 2017: v11 n3, [co-authored]
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Scaffolding and Play Approaches to Digital Humanities Pedagogy: Assessment and Iteration in Topically-Driven Courses, 2017: v11 n4, [co-authored]
The Imaginary Museum: Teaching Art History with Mobile Digital Technology, 2018: v12 n2
Beyond Representation: Embodied Expression and Social Me-dia, 2012: v6 n2
The Writeprints of Man: a Stylometric Study of Lafayette's Hand in Paine's 'Rights of Man', 2018: v12 n1, [co-authored]
From Disclaimer to Critique: Race and the Digital Image Archivist, 2017: v11 n3
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]
The End of the Irrelevant Text: Electronic Texts, Linguistics, and Literary Theory, 2007: v1 n2
Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]
Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]
Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]
Before You Read: A Reconstructed Literary History in Reading by Numbers, 2014: v8 n3
Computational Stylistic Analysis of Popular Songs of Japanese Female Singer-songwriters, 2014: v8 n1, [co-authored]
To Visualize Past Communities: A Solution from Contemporary Practices in the Industry for the Digital Humanities , 2017: v11 n2, [co-authored]
Interpretative Quests in Theory and Pedagogy, 2007: v1 n1
A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]
Visualizing and Analyzing the Hollywood Screenplay with ScripThreads, 2014: v8 n4, [co-authored]
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]
Multimodal Authoring and Authority in Educational Comics: Introducing Derrida and Foucault for Beginners, 2015: v9 n3
I
Enlisting Vertues Noble & Excelent: Behavior, Credit, and Knowledge Organization in the Social Edition, 2015: v9 n2, [co-authored]
[fr]Que mille lectures s’épanouissent… Modélisation du
personnage et expérience de crowdreading
[en]Let a thousand readings flourish . . . A
crowdreading experience, 2018: v12 n1, [co-authored]
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
History, People, and Informatics: A Conversation between Sharon Irish and Wendy Plotkin, 2010: v4 n2, [co-authored]
Introduction, 2009: v3 n3, [co-authored]
J
Introduction to the Digital Humanities Summer Institute Colloquium Special Issue, 2016: v10 n1, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
The MoEML Pedagogical Partnership Program, 2017: v11 n3, [co-authored]
Media Visualization of Book Cover Images: Exploring Differences among Bestsellers in Different Countries, 2017: v11 n3
Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]
Somewhere Nearby is Colossal Cave: Examining Will Crowther's Original Adventure in Code and in Kentucky , 2007: v1 n2
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
Webbots and Machinic Agency, 2012: v6 n2
J. M. Coetzee's Work in Stylostatistics, 2014: v8 n3
DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]
Environing Media: A Review of Nicole Starosielski’s The Undersea Network, 2017: v11 n3
Reverse Engineering the First Humanities Computing Center, 2018: v12 n2
K
Canonical References in Electronic Texts: Rationale and Best Practices, 2014: v8 n2
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Modelling Medieval Hands: Practical OCR for Caroline Minuscule, 2019: v13 n1, [co-authored]
Materiality Comics, 2015: v9 n4
Forward to the Past: Nostalgia for Handwriting in Scribblenauts and The World Ends with You , 2011: v5 n3
Because It's Not There: Ekphrasis and the Threat of Graphics in Interactive Fiction, 2011: v5 n1
Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]
By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]
A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]
The Arrival Fallacy: Collaborative Research Relationships in the Digital Humanities, 2015: v9 n2
A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]
Getting on the Map: A Case Study in Digital Pedagogy and Undergraduate Crowdsourcing, 2017: v11 n3
Interlude: Gaining Access, Gaming Access: Balancing Internal and External Support For Interactive Digital Projects , 2019: v13 n2
Defining scholarly practices, methods and tools in the Lithuanian digital humanities research community, 2018: v12 n4
A Long-Belated Welcome: Accepting Digital Humanities Methods into Non-DH Classrooms, 2017: v11 n3
From Distracted to Recursive Reading: Facilitating Knowledge Transfer through Annotation Software, 2018: v12 n2, [co-authored]
DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]
Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]
Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
The .txtual Condition: Digital Humanities, Born-Digital Archives, and the Future Literary, 2013: v7 n1
Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]
Done: Finishing Projects in the Digital Humanities, 2009: v3 n2
Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]
Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels, 2014: v8 n3
The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]
Interdisciplinary Collaboration and Brokerage in the Digital Humanities, 2017: v11 n3, [co-authored]
Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]
DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]
Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Friedrich Kittler's Digital Legacy – PART I - Challenges, Insights and Problem-Solving Approaches in the Editing of Complex Digital Data Collections, 2017: v11 n2, [co-authored]
Do You Want to Save Your Progress?: The Role of Professional and Player Communities in Preserving Virtual Worlds, 2012: v6 n2, [co-authored]
Conjectural Criticism: Computing Past and Future Texts, 2009: v3 n4
Large-Scale Humanities Computing Projects: Snakes Eating Tails, or Every End is a New Beginning? , 2009: v3 n2
Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
An Ontology for Gendered Content Representation of Cultural Heritage Artefacts, 2017: v11 n3, [co-authored]
L
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Theorizing Connectivity: Modernism and the Network Narrative, 2011: v5 n2, [co-authored]
The Globe is All One: Wars I Have Seen as Proto-Network Narrative, 2011: v5 n2
OCR of historical printings with an application to building diachronic corpora: A case study using the RIDGES herbal corpus, 2017: v11 n2, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Shakespeare’s Tragic Social Network; or Why All the World’s a Stage, 2017: v11 n2, [co-authored]
Shakespeare’s Tragic Social Network; or Why All the World’s a Stage, 2017: v11 n2, [co-authored]
Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]
Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]
It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]
Knowledge Organization and Cultural Heritage in the Semantic Web – A Review of a Conference and a Special Journal Issue of JLIS, 2018: v12 n1, [co-authored]
Stretched Skulls: Anamorphic Games and the memento mortem mortis , 2012: v6 n2, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
A Review of Memes in Digital Culture, 2016: v10 n2
Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
A Visual Sense is Born in the Fingertips: Towards a Digital Ekphrasis, 2013: v7 n1
Sequential Rhetoric: Using Freire and Quintilian to Teach Students to Read and Create Comics , 2015: v9 n4, [co-authored]
Comparative rates of text reuse in classical Latin hexameter poetry, 2015: v9 n3, [co-authored]
Digital Humanities Pedagogy as Essential Liberal Education: A Framework for Curriculum Development, 2017: v11 n3
What can the digital humanities learn from feminist game studies?, 2015: v9 n2
Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]
DH for History Students: A Case Study at the Facultad de Filosofía y Letras (National Autonomous University of Mexico) , 2017: v11 n3, [co-authored]
May the Text Rise up to Meet You: New Ways of Reading Old Manuscripts, 2009: v3 n3
Social Networks and Archival Context Project: A Case Study of Emerging Cyberinfrastructure, 2014: v8 n3
M
Tachypaedia Byzantina: The Suda On Line as Collaborative Encyclopedia, 2009: v3 n1
The Digital Classicist: building a Digital Humanities Community, 2017: v11 n3
Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]
Treebanking in the world of Thucydides. Linguistic annotation for the Hellespont Project, 2016: v10 n2
The Poetess Archive Database, 2009: v3 n3
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
How Technology Means: Texts, History, and Their Associated Technologies, 2018: v12 n3
By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]
Uncovering Latent Metadata in the FSA-OWI Photographic Archive, 2017: v11 n2, [co-authored]
Methodological Nearness and the Question of Computational Literature, 2018: v12 n2
[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]
Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool, 2013: v7 n1
Review: The Electronic Literature Collection Volume I: A New Media Primer , 2008: v2 n1
Circling around texts and language: towards pragmatic modelling in Digital Humanities, 2016: v10 n3, [co-authored]
Teaching and Learning from the U.S. South in Global Contexts: A Case Study of Southern Spaces and Southcomb, 2009: v3 n2, [co-authored]
Technology, Collaboration, and Undergraduate Research, 2009: v3 n1, [co-authored]
Digital Encoding as a Hermeneutic and Semiotic Act: The Case of Valerio Magrelli, 2010: v4 n1, [co-authored]
Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]
War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]
Crafting in Games, 2017: v11 n4, [co-authored]
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
Versioning Loss: Jonathan Safran Foer’s Tree of Codes and the Materiality of Digital Publishing, 2014: v8 n4
Questioning, Asking and Enduring Curiosity: an Oral History Conversation between Julianne Nyhan and Willard McCarty , 2012: v6 n3, [co-authored]
Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]
XML, Interoperability and the Social Construction of Markup Languages: The Library Example, 2009: v3 n3
Reappearing Acts: A Review of Lori Emerson’s Reading Writing Interfaces: From the Digital to the Bookbound, 2017: v11 n4
From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]
The MoEML Pedagogical Partnership Program, 2017: v11 n3, [co-authored]
Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]
Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]
The MoEML Pedagogical Partnership Program, 2017: v11 n3, [co-authored]
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
e-Science for Medievalists: Options, Challenges, Solutions and Opportunities, 2009: v3 n4, [co-authored]
A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]
Racial Proxies in Daily News: A Case Study of the Use of Directional Euphemisms, 2016: v10 n4
[fr]Le texte numérique : enjeux herméneutiques
[en]Digital text: hermeneutic issues , 2018: v12 n1
Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]
[fr]Que mille lectures s’épanouissent… Modélisation du
personnage et expérience de crowdreading
[en]Let a thousand readings flourish . . . A
crowdreading experience, 2018: v12 n1, [co-authored]
SpotiBot — Turing Testing Spotify, 2018: v12 n1, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]
Introducing DREaM (Distant Reading Early Modernity), 2017: v11 n4, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]
[fr]Élaboration d’un modèle appuyé sur le modèle RDF
dans le cadre de la réalisation d’une Bibliothèque virtuelle
Chris Marker à la Cinémathèque française
[en]Developing an RDF data model for describing the
Chris Marker digital archives at the Cinémathèque française, 2018: v12 n1
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]
cut to fit the tool-spun course, 2013: v7 n1, [co-authored]
Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]
[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]
Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]
Traveling the Silk Road on a Virtual Globe: Pedagogy, Technology and Evaluation for Spatial History, 2013: v7 n2, [co-authored]
The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]
Stealing a Corpus: Appropriating Aesop’s Body in the Early Age of Print , 2018: v12 n2
Shakespeare His Contemporaries: collaborative curation and exploration of Early Modern drama in a digital environment, 2014: v8 n3
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
Jane, John … Leslie? A Historical Method for Algorithmic Gender Prediction, 2015: v9 n3, [co-authored]
Introduction, 2017: v11 n3, [co-authored]
Undergraduate Students and Digital Humanities Belonging: Metaphors and Methods for Including Undergraduate Research in DH Communities, 2017: v11 n3, [co-authored]
A Design Methodology for Web-based Sound Archives, 2014: v8 n2, [co-authored]
GIS and Literary History: Advancing Digital Humanities research through the Spatial Analysis of historical travel writing and topographical literature, 2017: v11 n1, [co-authored]
Machine-aided close listening: Prosthetic synaesthesia and the 3D phonotext, 2018: v12 n3
N
Foreword, 2009: v3 n1, [co-authored]
Reconstructing a website’s lost past Methodological issues concerning the history of Unibo.it, 2017: v11 n2
As You Can See: Applying Visual Collaborative Filtering to Works of Art, 2008: v2 n1
DH2018: A Space to Build Bridges, 2019: v13 n1, [co-authored]
Old Ways for Linking Texts in the Digital Reading Environment: The Case of the Thompson Chain Reference Bible, 2012: v6 n2, [co-authored]
Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
It is time to address the Public Communication of DH, 2016: v10 n3
A short Introduction to the Hidden Histories project and interviews , 2012: v6 n3, [co-authored]
Video-gaming, Paradise Lost and TCP/IP: an Oral History Conversation between Ray Siemens and Anne Welsh , 2012: v6 n3, [co-authored]
Postmodern Culture and More: an Oral History Conversation between John Unsworth and Anne Welsh , 2012: v6 n3, [co-authored]
Collaboration Must Be Fundamental or It's Not Going to Work: an Oral History Conversation between Harold Short and Julianne Nyhan , 2012: v6 n3, [co-authored]
Questioning, Asking and Enduring Curiosity: an Oral History Conversation between Julianne Nyhan and Willard McCarty , 2012: v6 n3, [co-authored]
Trading Stories: an Oral History Conversation between Geoffrey Rockwell and Julianne Nyhan , 2012: v6 n3, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
O
Foreword, 2009: v3 n1, [co-authored]
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
Words, Patterns and Documents: Experiments in Machine Learning and Text Analysis, 2009: v3 n2, [co-authored]
Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]
Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]
Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
The Invisible Work of the Digital Humanities Lab: Preparing Graduate Students for Emergent Intellectual and Professional Work, 2019: v13 n2, [co-authored]
The App-Maker Model: An Embodied Expansion of Mobile Cyberinfrastructure, 2016: v10 n3, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism, 2017: v11 n1, [co-authored]
Introduction to the Digital Humanities Summer Institute Colloquium Special Issue, 2016: v10 n1, [co-authored]
Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]
Building Better Digital Humanities Tools: Toward broader audiences and user-centered designs, 2012: v6 n2, [co-authored]
P
Crafting in Games, 2017: v11 n4, [co-authored]
DH2018: A Space to Build Bridges, 2019: v13 n1, [co-authored]
Towards 3D Scholarly Editions: The Battle of Mount Street Bridge, 2019: v13 n1, [co-authored]
Best Practices: Teaching Typographic Principles to Digital Humanities Audiences, 2018: v12 n4
Graphic Images of YHWH: Exploring and Exploding the Bounds of Sexual Objectification in Ezekiel 16, 2015: v9 n4
Fitting Personal Interpretation with the Semantic Web: lessons learned from Pliny, 2017: v11 n1, [co-authored]
Encoding for Endangered Tibetan Texts, 2007: v1 n1
The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]
DH for History Students: A Case Study at the Facultad de Filosofía y Letras (National Autonomous University of Mexico) , 2017: v11 n3, [co-authored]
Tracking the telepathic sublime as a phenomenon in a digital humanities archive, 2017: v11 n4, [co-authored]
TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]
Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]
Locating Grid Technologies: Performativity, Place, Space: Challenging the Institutionalized Spaces of e-Science, 2009: v3 n4
Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]
Past Visions and Reconciling Views: Visualizing Time, Texture and Themes in Cultural Collections, 2017: v11 n2, [co-authored]
Impractical Applications, 2011: v5 n1
Something Called Digital Humanities , 2008: v2 n1
Welcome to Digital Humanities Quarterly, 2007: v1 n1, [co-authored]
Where’s the ML in DH? And Where’s the DH in ML? The Relationship between Modern Languages and Digital Humanities, and an Argument for a Critical DHML , 2017: v11 n1, [co-authored]
The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
History, People, and Informatics: A Conversation between Sharon Irish and Wendy Plotkin, 2010: v4 n2, [co-authored]
To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n2, [co-authored]
Visualizing and Analyzing the Hollywood Screenplay with ScripThreads, 2014: v8 n4, [co-authored]
Now is the Future Now? The Urgency of Digital Curation in the Digital Humanities, 2013: v7 n2
Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature, 2014: v8 n1
The Machine in the Text, and the Text in the Machine , 2010: v4 n1
Ross Scaife (1960-2008), 2009: v3 n1
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
To Visualize Past Communities: A Solution from Contemporary Practices in the Industry for the Digital Humanities , 2017: v11 n2, [co-authored]
Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]
The Literary And/As the Digital Humanities, 2013: v7 n1, [co-authored]
Revista Digital Universitaria: A Workshop of Digital Editing at the Universidad Nacional Autónoma de México, 2007: v1 n2
[es]Introducción de los
editores
[en]Editors'
Introduction, 2018: v12 n1, [co-authored]
Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]
Edition, Project, Database, Archive, Thematic Research Collection: What's in a Name?, 2009: v3 n3
By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]
Q
R
Over Uncle Tom's Dead Body: Publication Context and Textual Variation in Harriet Beecher Stowe's Uncle Tom's Cabin , 2009: v3 n3
The App-Maker Model: An Embodied Expansion of Mobile Cyberinfrastructure, 2016: v10 n3, [co-authored]
Introducing Issues in Humanities Computing, 2007: v1 n1
Tenure, Promotion and Digital Publication, 2007: v1 n1
Designing Data Mining Droplets: New Interface Objects for the Humanities Scholar, 2009: v3 n3, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
[es]Geografías digitales: Iluminando las relaciones
espaciales en una colección de blogs
literarios
[en]Digital Geographies: Illuminating Spatial
Relationships in a Collection of Literary Blogs, 2018: v12 n1
[es]Retorno a trazos de mil
historias
[en]A Return to the Traces of a Thousand
Stories, 2018: v12 n1, [co-authored]
Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]
[fr]Criminocorpus. Un projet numérique pour l'histoire
de la justice
[en]Criminocorpus. A digital project for History of
Justice, 2018: v12 n1, [co-authored]
Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]
A review of Noah Wardrip-Fruin’s Expressive Processing: Digital Fictions, Computer Games, and Software Studies, 2010: v4 n2
Communitizing Electronic Literature, 2009: v3 n2
[es]Laboratorios ciudadanos y humanidades
digitales
[en]Citizen Laboratories and Digital
Humanities, 2018: v12 n1
[fr]Pour une analyse automatique du jugement critique :
les citations modalisées dans le discours littéraire du XIXe siècle
[en]Toward an automatic analysis of critical judgment:
modified quotes in the literary discourse of the nineteenth century, 2018: v12 n1, [co-authored]
Beyond the Margins: Intersectionality and the Digital Humanities, 2015: v9 n2
Building Pedagogy into Project Development: Making Data Construction Visible in Digital Projects, 2019: v13 n2, [co-authored]
Exploring Historical RDF with Heml, 2009: v3 n1
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Some principles for making collaborative scholarly editions in digital form, 2017: v11 n2
The Ends of Editing, 2009: v3 n3
Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]
Trading Stories: an Oral History Conversation between Geoffrey Rockwell and Julianne Nyhan , 2012: v6 n3, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]
Humanities Unbound: Supporting Careers and Scholarship Beyond the Tenure Track, 2015: v9 n1
An Agent-based Model for the Humanities, 2013: v7 n1
Exploring Citation Networks to Study Intertextuality in Classics, 2016: v10 n2
Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]
Towards a Conceptual Framework for the Digital Humanities, 2012: v6 n2
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
In Praise of Overstating the Case: A review of Franco Moretti, Distant Reading (London: Verso, 2013), 2014: v8 n1
Epigraphy in 2017, 2009: v3 n1, [co-authored]
The Digital Future of Humanities through the Lens of DIY Culture, 2016: v10 n4
Simulated Visuals: Some Rhetorical and Ethical Implications, 2009: v3 n3
Visualizing and Analyzing the Hollywood Screenplay with ScripThreads, 2014: v8 n4, [co-authored]
A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]
How do we get to the Humanitarium from here?, 2016: v10 n3
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]
Designing Data Mining Droplets: New Interface Objects for the Humanities Scholar, 2009: v3 n3, [co-authored]
Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]
Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]
Toward an Open Digital Tutorial for Ancient Greek v. 2.0, 2016: v10 n2
Digitizing Latin Incunabula: Challenges, Methods, and Possibilities, 2009: v3 n1
S
Video-gaming, Paradise Lost and TCP/IP: an Oral History Conversation between Ray Siemens and Anne Welsh , 2012: v6 n3, [co-authored]
Postmodern Culture and More: an Oral History Conversation between John Unsworth and Anne Welsh , 2012: v6 n3, [co-authored]
Collaboration Must Be Fundamental or It's Not Going to Work: an Oral History Conversation between Harold Short and Julianne Nyhan , 2012: v6 n3, [co-authored]
Questioning, Asking and Enduring Curiosity: an Oral History Conversation between Julianne Nyhan and Willard McCarty , 2012: v6 n3, [co-authored]
Trading Stories: an Oral History Conversation between Geoffrey Rockwell and Julianne Nyhan , 2012: v6 n3, [co-authored]
Introduction: Comics and the Digital Humanities, 2015: v9 n4, [co-authored]
A Historical Geographic Information System (HGIS) of Nubia Based on the William J. Bankes Archive (1815-1822), 2017: v11 n2
Criminal Code: Procedural Logic and Rhetorical Excess in Videogames, 2013: v7 n1
[fr]Criminocorpus. Un projet numérique pour l'histoire
de la justice
[en]Criminocorpus. A digital project for History of
Justice, 2018: v12 n1, [co-authored]
Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]
Avatari: Disruption and Imago in Video Games, 2009: v3 n3
Readies Online, 2011: v5 n3
Teaching Electronic Literature as Digital Humanities: A Proposal, 2017: v11 n3
Building a Student-Centered (Digital) Learning Community With Undergraduates, 2017: v11 n3, [co-authored]
Topic Modeling Genre: An Exploration of French Classical and Enlightenment Drama, 2017: v11 n2
TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]
Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]
Teaching Spatial Literacy in the Classical Studies Curriculum, 2016: v10 n2
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
Beyond Gutenberg: Transcending the Document Paradigm in Digital Humanities, 2014: v8 n4, [co-authored]
Beyond Gutenberg: Transcending the Document Paradigm in Digital Humanities, 2014: v8 n4, [co-authored]
Digital Encoding as a Hermeneutic and Semiotic Act: The Case of Valerio Magrelli, 2010: v4 n1, [co-authored]
BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]
Playing with Chance: On Random Generation in Playable Media and Electronic Literature, 2013: v7 n3
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]
Towards 3D Scholarly Editions: The Battle of Mount Street Bridge, 2019: v13 n1, [co-authored]
Determining Value for Digital Humanities Tools: Report on a Survey of Tool Developers , 2010: v4 n2, [co-authored]
Raiders of the Lost Corpus, 2016: v10 n2, [co-authored]
Explaining Events to Computers: Critical Quantification, Multiplicity and Narratives in Cultural Heritage, 2016: v10 n3, [co-authored]
Recording invisible proofs to compose stone narratives. Applications of Near Infrared Spectroscopy in provenance studies., 2018: v12 n3
Acknowledgements and Dedications, 2009: v3 n1, [co-authored]
Cyberinfrastructure for Classical Philology, 2009: v3 n1, [co-authored]
Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]
Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
[en]Potentialities and difficulties of a digital
humanities (DH) project: confrontation with tools and reorientations of
research, 2018: v12 n1, [co-authored]
It’s For Sale, So It Must Be Finished: Digital Projects in the Scholarly Publishing World, 2009: v3 n2
Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]
Complex Modeling and You: A Review of Would-Be Worlds by John L. Casti (New York: John Wiley & Sons, 1997), 2016: v10 n4
A review of Brett D. Hirsch (Ed.)’s Digital Humanities: Pedagogy: Practices, Principles, and Politics , 2014: v8 n2
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
Placing Graphic Design at the Intersection of Information Visualization Fields, 2018: v12 n4
How Literary Works Exist: Convenient Scholarly Editions, 2009: v3 n3
Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]
Collaboration Must Be Fundamental or It's Not Going to Work: an Oral History Conversation between Harold Short and Julianne Nyhan , 2012: v6 n3, [co-authored]
Starting From Scratch? Workshopping New Directions in Undergraduate Digital Humanities, 2017: v11 n3, [co-authored]
Knowledge Organization and Cultural Heritage in the Semantic Web – A Review of a Conference and a Special Journal Issue of JLIS, 2018: v12 n1, [co-authored]
Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]
Data Assemblages: A Call to Conceptualize Materiality in the Academic Ecosystem, 2015: v9 n2
A Culture of non-citation: Assessing the digital impact of British History Online and the Early English Books Online Text Creation Partnership, 2017: v11 n1, [co-authored]
Developing Academic Capacity in Digital Humanities: Thoughts from the Canadian Community, 2013: v7 n1
Enlisting Vertues Noble & Excelent: Behavior, Credit, and Knowledge Organization in the Social Edition, 2015: v9 n2, [co-authored]
Video-gaming, Paradise Lost and TCP/IP: an Oral History Conversation between Ray Siemens and Anne Welsh , 2012: v6 n3, [co-authored]
Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]
It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]
The Invisible Work of the Digital Humanities Lab: Preparing Graduate Students for Emergent Intellectual and Professional Work, 2019: v13 n2, [co-authored]
Introducing DREaM (Distant Reading Early Modernity), 2017: v11 n4, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Designing Data Mining Droplets: New Interface Objects for the Humanities Scholar, 2009: v3 n3, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
From Distracted to Recursive Reading: Facilitating Knowledge Transfer through Annotation Software, 2018: v12 n2, [co-authored]
Ghosts in the Machine: a motion-capture experiment in distributed reception, 2018: v12 n3, [co-authored]
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
Classics in the Million Book Library, 2009: v3 n1, [co-authored]
Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]
Digital Humanities, Postfoundationalism, Postindustrial Culture, 2014: v8 n1
A View from IT, 2011: v5 n3
A Writing Studies Review of Jim Ridolfo and William Hart-Davidson, editors, Rhetoric and the Digital Humanities, 2015: v9 n4
Citation in Classical Studies, 2009: v3 n1
Introduction, 2017: v11 n3, [co-authored]
Undergraduate Students and Digital Humanities Belonging: Metaphors and Methods for Including Undergraduate Research in DH Communities, 2017: v11 n3, [co-authored]
Cervantes Project: The Digital Quixote Iconography Collection, 2009: v3 n3, [co-authored]
SpotiBot — Turing Testing Spotify, 2018: v12 n1, [co-authored]
Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]
Behind the Scenes of a Dissertation in Comics Form, 2015: v9 n4
A Life Lived in Media, 2012: v6 n1, [co-authored]
The e Prefix: e-Science, e-Art & the New Creativity, 2009: v3 n4
OCR of historical printings with an application to building diachronic corpora: A case study using the RIDGES herbal corpus, 2017: v11 n2, [co-authored]
Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]
Open Access and the Theological Imagination, 2017: v11 n4, [co-authored]
All and Each: A Socio-Technical Review of the Europeana Project, 2017: v11 n3, [co-authored]
Orientation: Man and His Tool, Again?, 2015: v9 n2
Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]
Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]
From the Personal to the Proprietary: Conceptual Writing's Critique of Metadata, 2012: v6 n2
Researcher as Bricoleur: Contextualizing humanists’ digital workflows, 2018: v12 n3, [co-authored]
Interdisciplinary Collaboration and Brokerage in the Digital Humanities, 2017: v11 n3, [co-authored]
BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]
cut to fit the tool-spun course, 2013: v7 n1, [co-authored]
What Your Teacher Told You is True: Latin Verbs Have Four Principal Parts , 2009: v3 n1, [co-authored]
Digital Caricature, 2014: v8 n3, [co-authored]
[es]Retorno a trazos de mil
historias
[en]A Return to the Traces of a Thousand
Stories, 2018: v12 n1, [co-authored]
Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]
Computational Stylistic Analysis of Popular Songs of Japanese Female Singer-songwriters, 2014: v8 n1, [co-authored]
The Why and How of Middleware, 2016: v10 n2, [co-authored]
Envisioning the Digital Humanities, 2012: v6 n1
From Optical Fiber To Conceptual Cyberinfrastructure, 2011: v5 n1
The Landscape of Digital Humanities, 2010: v4 n1
Humanities Computing as Digital Humanities, 2009: v3 n3
The Literary And/As the Digital Humanities, 2013: v7 n1, [co-authored]
T
A Hybrid Model for Managing DH Projects, 2017: v11 n1
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippett, 2012: v6 n2
Building a Student-Centered (Digital) Learning Community With Undergraduates, 2017: v11 n3, [co-authored]
Introduction, 2011: v5 n3, [co-authored]
Introduction, 2011: v5 n3, [co-authored]
War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]
Where’s the ML in DH? And Where’s the DH in ML? The Relationship between Modern Languages and Digital Humanities, and an Argument for a Critical DHML , 2017: v11 n1, [co-authored]
Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]
Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]
A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]
Acknowledgements and Dedications, 2009: v3 n1, [co-authored]
Cyberinfrastructure for Classical Philology, 2009: v3 n1, [co-authored]
DHQ in the Public Eye, 2007: v1 n2
Welcome to Digital Humanities Quarterly, 2007: v1 n1, [co-authored]
Distracted Reading: Acts of Attention in the Age of the Internet, 2018: v12 n2
Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]
Textual Artifacts and their Digital Representations: Teaching Graduate Students to Build Online Archives, 2015: v9 n1, [co-authored]
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
Building Pedagogy into Project Development: Making Data Construction Visible in Digital Projects, 2019: v13 n2, [co-authored]
Uncovering Latent Metadata in the FSA-OWI Photographic Archive, 2017: v11 n2, [co-authored]
Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]
Conference Review: Reading Digital Literature at Brown University, October 4-7, 2007., 2008: v2 n1
Teaching and Learning from the U.S. South in Global Contexts: A Case Study of Southern Spaces and Southcomb, 2009: v3 n2, [co-authored]
Scaffolding and Play Approaches to Digital Humanities Pedagogy: Assessment and Iteration in Topically-Driven Courses, 2017: v11 n4, [co-authored]
A Deep History of Electronic Textuality: The Case of English Reprints Jhon Milton Areopagitica, 2013: v7 n1
Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]
A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]
Digital Caricature, 2014: v8 n3, [co-authored]
From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]
U
Avatar Emergency, 2011: v5 n3
A Genealogy of Distant Reading, 2017: v11 n2
Postmodern Culture and More: an Oral History Conversation between John Unsworth and Anne Welsh , 2012: v6 n3, [co-authored]
The Making of Our Cultural Commonwealth , 2009: v3 n4
Cervantes Project: The Digital Quixote Iconography Collection, 2009: v3 n3, [co-authored]
V
Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]
Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]
Information access in the art history domain: Evaluating a federated search engine for Rembrandt research , 2016: v10 n4, [co-authored]
Mining Public Discourse for Emerging Dutch Nationalism, 2016: v10 n3, [co-authored]
Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]
War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]
Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]
Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]
Curating Crowds: A Review of Crowdsourcing Our Cultural Heritage (Ashgate, 2014), 2019: v13 n1
DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]
The Archive as Repertoire: Transience and Sustainability in Digital Archives , 2016: v10 n4
The Radical Historicity of Everything: Exploring Shakespearean Identity with Web 2.0, 2009: v3 n3, [co-authored]
Information access in the art history domain: Evaluating a federated search engine for Rembrandt research , 2016: v10 n4, [co-authored]
Coca-Cola: An Icon of the American Way of Life. An Iterative Text Mining Workflow for Analyzing Advertisements in Dutch Twentieth-Century Newspapers, 2017: v11 n4, [co-authored]
Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]
[fr]Criminocorpus. Un projet numérique pour l'histoire
de la justice
[en]Criminocorpus. A digital project for History of
Justice, 2018: v12 n1, [co-authored]
[fr]Potentialités et difficultés d’un projet en
humanités numériques (DH) : confrontation aux outils et réorientations de
recherche
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